Where your pictures land on the route, how to fix a camera clock, and pulling moments out of a long clip.
A photograph carries the time it was taken. Your track carries where you were at every time. Put those together and every picture knows its own place on the route, which is how photos land on the map without you telling them anything.
That works exactly as well as your camera’s clock is right.
An action camera that lost its battery, or a camera you never set after flying — the pictures still line up with each other, and the whole set sits an hour or two from where you actually were.
You do not have to fix them one at a time. Correct one photograph and How It Went asks whether to remember that for the camera; the button reads Move all … others and remember, with the count in the middle, and the next import from the same camera arrives already right.
The times you see while you are fixing it are the times where you were riding, not the times where you are now. That matters more than it sounds: you are usually editing this at home, days later and possibly several time zones away, and a lunch photograph shown in your current zone would read as half past four in the morning. You could not tell whether the correction you just made was the right one.
Photographs from more than one camera are told apart, and the Photos step will say when one of them is shifted relative to the others.
Sometimes a picture disagrees with the track — you took it on the drive to the start, or the file kept its own GPS position and that position is nowhere near where you rode. How It Went says so, and tells you how far off it is rather than quietly putting it in the wrong valley.
You then have three choices for any photograph: leave it where the clock puts it, press and hold it and move it along the route by hand, or take it out of the film. Nothing is thrown away by taking it out; it stops being in the cut.
An action-cam file is four minutes long and two or three seconds of it are worth watching. The Moments step is where that gets decided.
Every clip arrives with one moment already picked, ten seconds of it, so a trip with forty clips is not forty decisions before you can watch anything. Then you change the ones that matter: scrub to where the good part starts, mark the in point and the out point, and keep it. One clip can give you more than one moment — the descent and the thing that happened at the bottom are two moments, not one long one.
Each moment can run at real speed or faster, and the control says which it is doing rather than making you guess.
Photographs and clips are added on any of the first three steps, so you do not have to have everything in hand before you start. The order the steps run in is Rides, Moments, Photos, Shots, Film — and the one that trips people up is Shots, which is where the running order lives. If a photograph is in the film but in the wrong place in it, that is Shots. If it is in the wrong place on the map, that is this page.
Checked on September 18, 2026, against:
