Pick the map your film is drawn in, stand the ground up, and soften where the map ends.
The Film step is the last one, and by the time you reach it the film already plays. Everything on this screen changes how it looks rather than what is in it — you can leave all of it alone and export.
Two things are worth knowing about before you do.
Map style sits on the screen itself, right under the format. Five to choose from, and the film redraws in whichever one you pick:
| Style | What the ground looks like |
|---|---|
| Daylight | The default |
| Overcast | Blue-gray all over, land and water alike |
| Paper | Cream, like a printed hiking map |
| Golden hour | Daylight’s greens turned warm and yellow; the water stays blue |
| Dark slate | The dark one |
There is no right answer, and the one worth trying deliberately is Dark slate. If most of your photographs are from the evening, a daylight map under them makes the photographs look like they were taken on a different day than the map they sit on.
Your choice is stored with the trip rather than with the app, so two tours on one phone can want different answers — the Julian Alps on Paper, say, and Mallorca on Golden hour.
Advanced is a folded card near the bottom, labeled Camera and terrain. It is folded because nothing in it has to be touched for a good film to come out. Three of the controls inside it change what the ground does.
3D terrain draws the ground as a surface instead of a flat map. It needs elevation data, which arrives with the map, so if the switch will not move the map has not finished loading yet — the line under it says which of the two it is. On a trip with no elevation data available at all it stays off and says so.
Track wall is the sheet under your track showing how high it climbs. It is on by default, and it is worth turning off once 3D terrain is on: with the ground standing up, the wall stands inside the hill rather than on it.
Map edge decides how the map ends at the edge of the frame. It starts at Hard, which is a clean line, and nudging it right gives you Soft, Softer and Softest — the map fading out instead of stopping. Hard is the honest default and soft is the one that looks like a map on a table.
It changes the look, not the cut. Which days are in the film, which photographs made it and how long each moment runs are decided on the steps before this one — Rides, Moments, Photos and Shots. If the film is showing you the wrong ten seconds of an action-cam clip, that is the Moments step, not this screen.
And nothing here is baked until you export. Change a style, watch it, change it back.
Checked on September 19, 2026, against:
